“[Brave and Beautiful Sounds from Norway] The six a cappella voices of Nordic Voices performed a glorious repertoire of sixteenth century religious music in Walter Hall on Sunday February 3rd, interspersed with a couple of twentieth century pieces that included, in some cases, the use of overtones and throat-singing. Yes, one might say the program was diverse. Startling, in fact, but indisputably well chosen. […]”

“[Brave and Beautiful Sounds from Norway] The six a cappella voices of Nordic Voices performed a glorious repertoire of sixteenth century religious music in Walter Hall on Sunday February 3rd, interspersed with a couple of twentieth century pieces that included, in some cases, the use of overtones and throat-singing. Yes, one might say the program was diverse. Startling, in fact, but indisputably well chosen. […]”

“[Brave and Beautiful Sounds from Norway] The six a cappella voices of Nordic Voices performed a glorious repertoire of sixteenth century religious music in Walter Hall on Sunday February 3rd, interspersed with a couple of twentieth century pieces that included, in some cases, the use of overtones and throat-singing. Yes, one might say the program was diverse. Startling, in fact, but indisputably well chosen. […]”

"[Brave and Beautiful Sounds from Norway] The six a cappella voices of Nordic Voices performed a glorious repertoire of sixteenth century religious music in Walter Hall on Sunday February 3rd, interspersed with a couple of twentieth century pieces that included, in some cases, the use of overtones and throat-singing. Yes, one might say the program was diverse. Startling, in fact, but indisputably well chosen. […]"

Tova G. Kardonne, The Live Music Report
February 8th, 2008

Mooredale Concerts
2015-03-19T16:59:23-04:00

Tova G. Kardonne, The Live Music Report
February 8th, 2008

"[Brave and Beautiful Sounds from Norway] The six a cappella voices of Nordic Voices performed a glorious repertoire of sixteenth century religious music in Walter Hall on Sunday February 3rd, interspersed with a couple of twentieth century pieces that included, in some cases, the use of overtones and throat-singing. Yes, one might say the program was diverse. Startling, in fact, but indisputably well chosen. […]"
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